The images and stills you see across color.io have been shot by these incredibly talented photographers, cinematographers and filmmakers: ‍ Maksim Isotomin, Spencer Sembrat, Ryan Ancill, Zeynep Guler, Robbie Herrera, Adi Constantin, Albert Vincent Wu, Aleksandr Popov, Anaya Katlego, Bruno Guerrero, Caleb George, Calicadoo Ttdio, Devin Justesen, Elia Pellegrini, Ergi Murra, Francisco Andreotti, Georgina Postlethwaite, Ihor Malytskyi, Iri Chernookaya, Ivana Cajina, Jakob Owens, Jeremy Bishop, Jed Villejo, Kai Pilger, Karina Maslina, Kate Olfans, Kevin Müller, Mantissa, Monokee, Mark Basarab, Maxim Tolchinsky, Michele Canciello, Ming Han Low, Scott Evans, Simon Berger, Simon Wilkes, Stephen Ellis, Kelly Stow, Tim Trad, Lilly Rum. Oh and we automatically debayer RAW image data from over 600 cameras not listed here into VisionLog, which you will then be able to process using Color.io. 5 - DaVinci Wide Gamut / Intermediate - BolexLog WideGamutRGB - CanonLog 1/2/3 BT2020 (Daylight & Tungsten) - CanonLog 1/2/3 CinemaGamut (Daylight & Tungsten) - DJI D-LOG D-Gamut - Fuji F-Log F-Gamut - Fuji F-Log 2 F-Gamut - Leica L-Log - GoPro Protune Flat - Kinefinity Kinelog 3 - Nikon N-Log BT2020 - Sony S-Log / S-Gamut - Sony S-Log 2 / S-Gamut (Daylight & Tungsten) - Sony S-Log 3 / S-Gamut3 & S-Gamut3.cine - Sony Venice S-Log 3 / S-Gamut3 & S-Gamut3.cine - Panasonic V-Log / V-Gamut - RED RedLogFilm DragonColor 1 & 2 - RED RedLogFilm RedColor 1 - 4 - RED LOG3G10 WideGamutRGB - Z-Cam Z-LOG 2 - ACES, ACEScct, ACEScg - ADX10 and ADX16 for the film folks This means you can create LUTs not only for all of these specific cameras, but also for every camera that outputs sRGB, Rec709, ProPhoto or Adobe RGB. At the time of writing, Color.io supports the following cameras and input color spaces: ‍ - sRGB - Rec709 - ProPhotoRGB - Adobe RGB - Apple ProRes Log - Apple ProRes HDR - VisionLog - Arri Log-C v3 - Arri Log-C v4 - Arri REVEAL Rec709 - Arri REVEAL Rec2020 - BMDFilm Wide Gamut Gen. Color.io has even extended ACES with proprietary IDTs to support cameras and workflows that are not directly supported by the official ACES version.

Of course you have complete freedom over distributing your generated looks, whether you're working on a wedding film or the next Marvel Blockbuster. All of your data is uniquely tied to your account, and remains yours alone. The 'Adapation' control determines how much of the base model is blended with your personal model that grows and improves over time.

As you're using Color.io (Pro), Spectra learns your color preferences and grading style over time by fine-tuning the base model with your personal settings. To give you more control over the model, we're exposing hyperparameters like 'Creativity', 'Temperature' and 'Adaptation' to help you steer the model's output in a direction that aligns with your creative intent. The Spectra base model is trained on analog film emulations and film inspired color grades. We designed Spectra AI to be an indispensable tool for iterating on ideas and making the process of creative look development smoother and more delightful.

Instead, it should subtly amplify your grading, allowing your artistic vision of color to take center stage.

While we recognize the buzz around artificial intelligence, we believe that the best AI is the one you barely notice - it should never overshadow or replace the human touch. Spectra AI For us at Color.io, working with color and images is just as much about enjoying the artistic process as it is about delivering the end result.

Color correct final cut pro